brillante mendoza wins in cannes--but at what cost?

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Fact: Most film festival programmers are interested in movies about the poor. They are less likely to invite comedies about middle-class Filipinos mulling over the meaning of life than dramas about the proletariat struggling to survive.

So when your aunt in Tarzana, California or Slough, England complains, ‘Palagi na lang yan ang ipinapakita abroad! Puro mahirap, marumi, mabaho, wala man lang mall o Boracay. Baka akala nila lahat ng Pilipino ganyan (All the Filipino movies shown abroad show poverty, filth and squalor; foreigners will think we all live like that),’ explain the situation.

jessica zafra nicely sums up the current condition and immediate foreseeable future of independent pinoy cinema here.

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