Tuesday, March 25, 2014

Terminus (the Glenn from The Walking Dead song)




Terminus

We've come back this season, at least those of us still alive
Here within this Terminus we all hope to arrive
I was a survivor from Cell block C, you were with the Governor of Woodbury and...

You came down the tracks of the train and you walked by my side
Shoulder up to shoulder that tunnel was 9 meters wide
Oh my heart was screaming, walkers wanted to eat (us)
Following my movements with a rock on your feet and...

Oh, down toward Terminus all of us tread
So, when were't at Terminus who will be dead? 
"Won't you leave me, go find Maggie?" you ask of me then
But I draw my gun and shoot a walker again

We were all alone on a shooting spree
Really thought my bullets would run out on me, but
Maggie and some others came and made it rain lead
Made sure that the walkers wouldn't rise from the dead
Could have kept on walking my entire life
But the season's ending so i'm back with my wife!

And so we left for Terminus with one episode left
Baby,no, I have no idea what happened to Beth.

So here I am this season where they made all of us walk
Here within this Terminus where the gates are unlocked
Lord,I'd like to see that credits roll sneak peek
Probably a few of us will die next week and...

I am now about to begin the last of my days
I'm within what others would call a Terminus phase
I myself can only say it's The Walking Dead. I just hope the writers don't give me Hershel-head that's gross...
La da da
And you know it's gross
La da da... La da da...

Thursday, March 20, 2014

i support pnoy's radio airplay quota

this article's been popping up on my facebook feed repeatedly the past few days, to pretty much unanimous discontent. at the heart of the matter is executive order 255, which states:

"all radio stations shall broadcast a minimum of four original [F]ilipino musical compositions in every clockhour of a program with a musical format."

or to put it another way, stations have to allot about a quarter of every hour of airplay to local music. which, if you think about it, is pretty reasonable. TV ads get more airtime than that.

so why all the negative comments?

1.) anything pnoy does is wrong.

i'm not qualified to talk about that.

2.) i'll listen to what i want!
no one's forcing anyone to listen to anything. they're forcing the station to play OPM one quarter of the time, thereby giving local artists more exposure (and/or royalties?), which hopefully leads to more income. is that so bad? the rest of us remain free to change the station, or pop in our earbuds, or play music on our pc, whenever "pusong bato" comes on. just like always.

3.) its forced patriotism! borderline communism!
look, this is about money, pure and simple. this is about giving a degree of economic protection to local music artists. EO 255 is, in effect, an airplay quota. the EU, australia, canada, new zealand, and venezuela, to name a few, also have radio airplay quotas; it's not really such a strange and unnatural thing. EO 255 will not turn us into north korea.

in fact, i'd be happy if they expanded the EO to cover movies as well, add a screen quota in there.

let's try to get past our kneejerk reaction against being told by the government what to do, and try to think about how EO 255 will benefit local artists (and by extension, pop culture) and how little its actual effect is going to be on our personal freedoms.

4.) but what about jazz and classical music stations? 

now that's a legit problem. i'm not familiar with the local jazz scene, but we do have local jazz artists, don't we? as for classical, i know our one classical station, 98.7 DWFE, also plays christian stuff, so maybe they could play christian OPM?

Sunday, March 16, 2014

"let it go" vs. dragon ball mashup

so the other day i was listening to this guy, who is about the most affable-looking heavy metal guitarist i've ever seen:



and i thought, "gee, i can't even listen to that sort of arrangement and some of those riffs without thinking of 'head cha la'"... until i realized i was thinking of "head cha la" because the song actually sounded like "head cha la."

so i tried singing the "cha la, head cha la" refrain instead of "let it go, let it go." it seemed to fit pretty well, so i thought, i should be working, why not make a mashup?

i'd initially planned to lay the "head cha la" vocals over a "let it go" instrumental track, but couldn't find the former. luckily i found a "let it go" vocal track and a minus one of "head cha la" (the gino padilla version!) floating around on the web, so i threw those together in audacity:


i had to slow down idina menzel's vocals by about 3%, cut out a few of her pauses and add silences to some of her phrasing. the final outcome is far from perfect, but i think it gets the general message across:

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